Jonah Sacks
Director, Architectural Acoustics Group
Studio A | Market Co-Leader
Principal
Quiet background noise conditions are an essential feature of high quality performance spaces, and achieving quiet conditions is a central goal of the design of performance rooms.
Designers and professional organizations have adopted disparate background noise criteria for such spaces as high as NC-25 and as low as the threshold of hearing, and commonly used standardized metrics are not defined for levels below NC-15. This paper presents conclusions and further questions raised by a series of studies of the perceptual role of low levels of background noise in quiet spaces for music listening; these studies have been reported previously in greater detail.
“Through music, and particularly music recording, I became interested in room acoustics and decided to go to graduate school for acoustics. As a musician, I care deeply about the intersection of music and acoustics. When I get the chance to connect with musicians and actors who enjoy and appreciate playing in rooms that sound really good, I get excited about the long and sometimes tangled paths that lead to really fine sounding rooms.”
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