Ioana N. Pieleanu
Director, Architectural Acoustics Group
Studio A | Market Leader
Principal
Quiet background noise conditions are an essential feature of high quality performance spaces, and achieving quiet conditions is a central goal of the design of all performance rooms. However, many designers reserve the lowest noise goals for well-funded projects, and accept higher noise as inevitable for lower cost projects.
This paper presents conclusions from a series of research studies that highlight the importance and benefit of very low levels of background noise in performance spaces; these studies have been reported previously in greater detail. This paper presents two new cases studies of performance venues designed and built with modest budgets and achieving very low noise.
“A client once told me that an architect should never leave home without their acoustician. I strive to be just that: an indispensable interpreter of sound perception for the built environment.”
“Through music, and particularly music recording, I became interested in room acoustics and decided to go to graduate school for acoustics. As a musician, I care deeply about the intersection of music and acoustics. When I get the chance to connect with musicians and actors who enjoy and appreciate playing in rooms that sound really good, I get excited about the long and sometimes tangled paths that lead to really fine sounding rooms.”
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